In Dua Lipa’s ever-expanding world, ‘there’s no time limit and there’s no what-ifs’

In Dua Lipa’s ever-expanding world, ‘there’s no time limit and there’s no what-ifs’


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Hugo Comte

Hugo Comte

Dua Lipa has been waiting a long time to perform for fans. After putting out her second studio album Future Nostalgia in the first few months of the COVID-19 pandemic in a moment when most artists chose to postpone their releases, the English pop star is finally in the midst of a long-delayed world tour. And she ‘s only nowadays getting to perform her Grammy award-winning record as it ‘s meant to be experienced : on the dance deck. nowadays, Lipa is besides looking to connect more well with fans and collaborators beyond the stadium stagecoach, with media ventures that expand on her desire for being “ of service ” to her fanbase. Earlier this class Lipa launched Service95, a personal newsletter that offers curated lists of everything from her favorite books to restaurants, born out of her own heat for making recommendations to friends and family. She besides hosts and records “ At Your Service, ” an interview podcast that finds Lipa tackling grave issues including politics and identity in conversations with authors, artists, designers and more .

The 26-year-old artist recently spoke with Morning Edition ‘s Rachel Martin from her go break in Glasgow about how she chooses interview subjects for her podcast, creates her newsletter and shuts down diffidence. The following interview has been condensed and edited. To listen to the broadcast interpretation of this fib, use the sound recording actor at the top of the page. Rachel Martin, Morning Edition : I went to your show in Washington, D.C. and it was this collective experience that we had all been missing for so long. You had to have been feeling that too — you waited two years to perform these songs in these kinds of venues. Dua Lipa: I ‘ve been dying to get out on the road, to ultimately perform these songs. When we finally got the chance to go out on the road in the U.S., there was this whole rush of agitation and epinephrine. It ‘s like, belly laugh, we finally get to do this. When you were in D.C. and we met you backstage, your dad happened to have been back there. And I just asked him quickly, “What is this like to see your daughter up there in front of these thousands of people yelling her name, and in this floating stage wearing a sequined catsuit?” And he said, “I pinch myself, that this is her, that she’s made this happen.” Talk to me about your family and why it was important at some points to have them on the tour with you? This whole travel has been truly exciting to get to do it together. I think because of them, they ‘ve kept me very grounded. nothing has changed in my home life and precisely my job is quite extraordinary. Your family left Kosovo in the early ’90s before the war? In ’92, they moved to Kosovo as the war in Bosnia was happening. My ma ‘s half Bosnian, so her ma was in Sarajevo at the fourth dimension, but they moved to London as the situation started getting truly unmanageable in ex-Yugoslavia. Something that people forget all the prison term is, people do n’t in truth want to leave their area unless they in truth have to. It ‘s truly out of necessity. then I was born in ’95. [ My parents ] had a great time in London, but they constantly had that mind in the back of their beware that they would always want to come back to Kosovo at some point. When I was 11, we moved back to Kosovo. What was that like for you? When you’re 11, you’re old enough to protest — you have a world, you have friends and a life. I was in truth excited about it. When you ‘re in London at the age of 11, you ‘re finishing year six and then you would go into a secondary school. All my friends were gon sodium go to different schools, and alternatively of going to a different school, I was going to a different state. albanian was my first lyric, I spoke it at family, and then English was something I did in school and I spoke with my friends. It was just a identical interesting and exciting period of my life. I was besides in truth excited at the idea that people would n’t find my diagnose Dua ampere eldritch as they did in London. It was different obstacles to overcome – learning chemistry and skill and maths in a wholly unlike speech. Having assignments in Albanian is a distribute harder than just speaking it at home. It took me a very long time to find my feet there. It ‘s interesting going into that at 11 years old, but I think I would n’t change it for the universe because it truly helped me become who I am.

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When you were 15, you told your parents you wanted to leave. You told them that you wanted to move back to London with or without them. When I think back to that, I do n’t quite remember the first conversation where I started the topic of, “ I ‘m going to move to London and this is what I want to do. ” I do remember slowly saying to my parents that if I want to go to university in London, I would have to do my GCSEs in London – and my GCSEs are starting soon.

You wanted to go to London because that’s where you thought you could make your music career happen, but you were savvy enough to know you needed to make a different argument to your parents. [ Laughs ] I think yes, that ‘s how my argument started. When I was living in Kosovo from the historic period of 11 to 15 I loved doing music, but I barely felt like there was no direction that I could in truth cut through all the noise without being in a place where everything was happening. I felt like I needed to be in London to make my dream a world. That ‘s what I felt like I needed to do and where I needed to be. Where did that sense of confidence come from? Had someone come to you who you respected and said, you’ve got what it takes and you need to figure out how to make it happen, or was it internal? People would tell me that I could sing, but it was n’t to the point of, you could make it or this could be something. It was a resort area dream. It was something that I felt like I knew I wanted to do. We call it imposter syndrome now, but it’s basically suffering from crippling self-doubt, and all of us get it from time to time. Has that happened to you? Or maybe that’s part of your success, that you just didn’t ever let that creep in? I have self doubt, I ‘m only human. [ Laughs ] Although I have a passion for what I do, because I very love music, when things start to get bigger and people start to have an impression on something you love so much, then you start to listen to the background noise. In the begin, when I first started, the reception was like, “ Oh, this is so beneficial. ” then, all of a sudden, there was like a turn point, and it good wholly shifted and changed. social media just kind of took over. There was this one little dance routine that I did when I was performing, and people took that one little snip and decided to base my wholly stage presence and who I was as a performer on stage. I think at that compass point, there [ were ] moments of diffidence, even though it was kind of unfair because a set of the people that had sent in those messages or were saying things online actually had n’t been to a picture. social media is kind of footrace on this toxic currency of ‘who can make people laugh at the expense of others. ‘ But it got to you, clearly. Of course it got to me. I was at a item where I was so happy, I was doing everything that I wanted to, but then there were people who made me feel like possibly I was n’t well enough or I did n’t deserve to be there, I was n’t cut out to be a musician. I realized that what anyone says does n’t actually matter. It was something that I learned during the period of writing Future Nostalgia — I was able to shut people out. now, if anybody says anything, it does n’t even bother me. Nothing even cuts through, because I realized that if you ‘re passionate about something and you ‘re good at your job and you write from the heart, no one can take that away from you. I had to take myself off Twitter, but if that ‘s going to help me and my mental health and allow me to thrive in whatever means I choose to, that has been a saving grace. You are a busy woman. You are on tour for a massive hit album, you’re going to have your first starring role in a movie this year and you are a podcast host . You have acknowledged that the guests you’re talking to are these very super famous people who have done a whole lot of talking. You have said that you want to go deeper with them. Everyone can intuit what that means, but what does that mean to you? The podcast travel has been interesting, and it ‘s been something that I ‘ve been quite nervous about, but I ‘ve besides made a treaty with myself that I wanted to be outside of my consolation zone. We ‘re all going through this very human experience, whether you ‘re in the public eye or not. I have this impression that everyone can be of serve to person else fair by talking honestly about your experiences. I set out as it being good of service to early people, and I found that this has besides been such a service to myself equally well. It ‘s been interesting in this season, there ‘s been this common subject of duality with so many of my guests. A lot of them have come from the children of immigrants, or having this kind of dual-nationality and [ are ] coming to terms with what that experience is — conversations making people feel less alone .

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Dua Lipa/Courtesy of the artist
You interviewed a Yazidi woman, Nobel laureate Nadia [Murad], who survived being sexually assaulted by ISIS, and Amal Clooney, in her capacity as a human rights lawyer. These are heavy, sober conversations that do stand in contrast to your music in a lot of ways. These kinds of conversations, is it satisfying your curiosity in a different way than music does? I want to say yes to your motion, but I besides feel like both the music and the podcast, they ‘re different parts of who I am — they barely make up me. As for scratching the itch of curiosity in terms of the podcast, these are things that just interest me. These are conversations that I want to have with people. I feel like social media, there ‘s such an inflow of information, and sometimes it ‘s truly heavily to grasp things that interest you. Things that you should be supporting. That was kind of where I started getting a bit dazed in terms of the activism side. If you claim to be an militant, or person who will speak up about any injustices, then you have to speak up about everything and you have to do it imminently and immediately and if you do n’t, you ‘re not supporting, and you ‘re not doing it. Did you feel that pressure? I feel like that ‘s barely the air of social media at the moment. I think it ‘s not allowing people the opportunity to very learn about every cause and understand what ‘s going on and then in truth speak from the heart. It ‘s barely like : immediate answer has to happen, use your social media. Could you imagine writing songs that are more reflective of the causes you care about or politics or the cultural moment that we’re in? I think if it makes sense in the moment, then yes. It ‘s not inevitably something that I ‘m going to get into, writing political music. I like to make music that makes people feel good. I like to tell stories about things that have happened to me in order to make people feel less alone. With [ the birdcall ] “ Boys Will Be Boys, ” that was something in the consequence I felt like I needed to write. I felt like I was talking about what it ‘s like to be a womanhood and something that possibly people do n’t in truth understand in certain aspects. I was able to put that in a song and that felt good to me. But music, when I write it in truth depends on what I ‘m going through in the moment — and if the song is effective adequate to make the album. Service95, as you noted, is this so-called “concierge service” [for] everything from restaurants to what nonprofits are worth donating to. This is probably a crass question, but was this something dreamed up by a publicist who kind of knows you? Or was this something that was really a passion project for you?

That ‘s actually fishy. It ‘s decidedly a big love project of mine. It ‘s something that I ‘ve been writing down for about two years. It ‘s something that I do for my friends anyhow, wherever they are in the world, they would message me and be like, “ Okay, I ‘m here. ” Where ‘s the best places to see ? I thrive on that. I love doing it. I ‘m weirdly, capriciously organized with my calendar. Like, everything ‘s down to the hour. I think so many people, you can do anything a long as you compartmentalize and you plan and you know what you want. You can write it down and you can make anything possible. There are adequate hours in the day. sometimes I wish there were a few more, but you can always do it. How long will you do it? Are you working at a marathon pace so that you can do this for a really long time? Or are you just like, I’m going full bore now and we’ll see what happens in five years? This is everything that I do. I feel everything I do is just to set myself up to equitable keep doing this for deoxyadenosine monophosphate long as I can. There ‘s no time limit and there ‘s no what-ifs. I ‘m going to work unvoiced until this turns into something very particular. It took me a farseeing time to get here, but you have to nurture the things that you love and you have to work hard. Every day I get a sting more confident in my craft and who I am as an artist .

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